ideas + images

curated by sierra gonzalez
Mar
4th
Thu
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The economy of type

Designers Matt Robinson and Tom Wrigglesworth conducted a little experiment to measure the economy of type: they hand-lettered large-scale samples of commonly used typefaces using ballpoint pens.

The pens themselves form a neat bar graph—the remaining ink levels indicate their findings.

[via Flowing Data]

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Mar
1st
Mon
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“There’s nothing like the isolating bleakness of long-term joblessness to make people finally appreciate Andrew Wyeth.” http://ow.ly/1cTAz

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Feb
24th
Wed
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How genetics works (via Kottke)

How genetics works (via Kottke)

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Feb
18th
Thu
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Met guards challenge institutional rules limiting contact w/ visitors & unite to show own artwork http://bit.ly/ba2P9i (via @ARTnewsmag)

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Dec
7th
Mon
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Soap opera as performance art, according to James Franco

If you bake some bread in a museum space it becomes art, but if you do it at home you’re a baker.
Marina Abramović in conversation with James Franco, about the importance of context in performance artIn today’s Wall Street Journal, James Franco gives us an overview of performance art in the 20th century, noting that recent recognition by the Guggenheim, Art Basel Miami, and MoMA’s P.S. 1 lend credibility to an art form earlier considered frivolous and pretentious.

Just as the art world is reconsidering the stature of performance art, Franco hopes that his appearance on General Hospital will encourage people to “ask themselves if soap operas are really that far from entertainment that is considered critically legitimate was panned by traditional art critics.” [A Star, a Soap, and the Meaning of Art | WSJ]

(Also, Palo Alto represent! Though Franco and I went to the same high school, we never crossed paths.)  
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Nov
24th
Tue
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Nov
16th
Mon
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Target for the arts

Art is integral to how we do business. It’s in our DNA.

Laysha Ward, Target’s president for community relations

According to Robin Pogrebin’s NYTimes article on Target’s philanthropy, the company continues to give 5 percent of its income (roughly $3 million a week) to causes in the arts, education, social services and volunteerism, despite the economic downturn. Pogrebin observes that many of Target’s beneficiaries are arts institutions across the nation, who often hold “Target days” offering free or discounted admission to a program, performance or museum exhibition. Laysha Ward’s comment above serves a dual purpose within the article: it reminds readers both that Target supports arts organizations through philanthropy, and that they strive for beautifully designed products on their shelves (Ward cites the work of Michael Graves as an example of their commitment to creativity in Target’s stores).

Other interesting articles in the NYTimes’ Giving section online cover SFMOMA’s challenge to find space for Don Fisher’s collection, raising awareness (and funds) using social media, and the look of cause marketing during the recession.

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